Question HAIR?!??!?!????????????????

(btw, my hair is right below my breast)

i want it to be near my butt,,lol

Best HAIR?!??!?!???????????????? Answers

Answer by need*2*know…
thats where mine is like an inch or to above my butt, and its kind of a pain.I learned a lot of cute hairdos though.But I just let it grow over time

Answer by tell_mexl3
thats really longggg. i havent got my hair cut in 5 months and its like middle boob morely towards topp suck it upp go to a diff place dont be like mee opeen ur mouthh.

Leave your own answer to the question HAIR?!??!?!???????????????? in the comments

Video Mr. Bean – Hair

Mr.Bean-Hair

Video Rating: 0 / 5

Hair

Event at Pantages Theatre on 2011-01-23 13:00:00 : 2011-02-10 13:00:00

Hair
6233 Hollywood Boulevard
Los Angeles
United States

Hair

Video Good Hair ft. Chris Rock- HD Official Trailer

www.goodhairmovie.net In Theaters This OCTOBER!!! Check out our Facebook page www.facebook.com When Chris Rocks daughter, Lola, came up to him crying and asked, Daddy, how come I don’t have good hair? the bewildered comic committed himself to search the ends of the earth and the depths of black culture to find out who had put that question into his little girl’s head! Director Jeff Stilsons camera followed the funnyman, and the result is Good Hair, a wonderfully insightful and entertaining, yet remarkably serious, documentary about African American hair culture.An exposé of comic proportions that only Chris Rock could pull off, Good Hair visits hair salons and styling battles, scientific laboratories, and Indian temples to explore the way black hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of black people. Celebrities such as Ice-T, Kerry Washington, Nia Long, Paul Mooney, Raven Symoné, Maya Angelou, and Reverend Al Sharpton all candidly offer their stories and observations to Rock while he struggles with the task of figuring out how to respond to his daughters question. What he discovers is that black hair is a big business that doesnt always benefit the black community and little Lolas question might well be bigger than his ability to convince her that the stuff on top of her head is nowhere near as important as what is inside.

Video Rating: 0 / 5

Blue Man Group

Blue Man Group
The Blue Man Group features a trio of performers called Blue Men, who appear to have blue skin and no voice, hair, or ears. They play a mixture of peculiar, often percussive, instruments, with lights and music to go along with the beat. The group is widely popular and plays all over the world.

Event at Living Arts Centre Mississauga (The) on 2011-02-08 19:30:00 :

Blue Man Group
4141 Living Arts Drive
Mississauga
Canada

Blue Man Group

Video Hair

The Musical Hair from 1979. A group of hippes meet Claude, a guy who will soon be sent to war. Trying to understand eachother, they all go and hope to make Claudes last days in freedom the best hes ever had. Treat Williams … Berger John Savage … Claude Beverly D’Angelo … Sheila Franklin Annie Golden … Jeannie Dorsey Wright … Hud Don Dacus … Woof Coreography by Twyla Tharp ——————————- When the moon is in the Seventh House And Jupiter aligns with Mars Then peace will guide the planets And love will steer the stars This is the dawning of the age of Aquarius The age of Aquarius Aquarius! Aquarius! Harmony and understanding Sympathy and trust abounding No more falsehoods or derisions Golding living dreams of visions Mystic crystal revalation And the mind’s true liberation Aquarius! Aquarius!

Video Rating: 0 / 5

Herb Alpert and Lani Hall

For more than fifty years, Herb Alpert has come to mean many things to many people. To generations of music fans, Alpert is the dark-haired, trumpet-playing songmaker whose name instantly brings to mind memorable songs like “The Lonely Bull,” “A Taste of Honey,” “This Guy’s in Love with You” and “Rise.” These are but a few of the tunes Alpert recorded either as leader of the legendary Tijuana Brass or as an artist in his own right, yielding 5 #1 popular hits, 8 Grammy awards, 14 Platinum and 15 gold albums -plus a staggering 72 million albums sold worldwide.

Event at Wilbur Theatre on 2011-02-17 19:30:00 :

Herb Alpert and Lani Hall
246 Tremont Street
Boston
United States

Herb Alpert and Lani Hall

Video Sesame Street:Song: I Love My Hair

Ifyou’re watching videos with your preschooler and would like to do so in a safe, child-friendly environment, please join us at www.sesamestreet.org A song about loving your hair. Sesame Street is a production of Sesame Workshop, a nonprofit educational organization which also produces Pinky Dinky Doo, The Electric Company, and other programs for children around the world.

Video Rating: 0 / 5

Video Big, Soft, Sexy Curls – Victorias Secret Inspired Hair Tutorial

Follow me on twitter: www.twitter.com To get an intro like mine, contact: www.youtube.com This hair style is so super easy! All you need is- Hair brush Heat protectant (I used CHI 44 iron guard) Large Hair Clips 2 inch curling iron (I used a conair from wal-mart) Hair Spray (I used CHI enviro flex hold hairspray) Let me know if you try this look out!

Video Rating: 0 / 5

Reg’s Coffee House Presents: Grace Potter & The Nocturnals w/ Jonathan Tyler & the Northern Lights

Drink Specials from 5-9pm Newcastle

Jonathan Tyler & the Northern Lights | 8:00 PM
Contrary to doomsayer rumor, rock music doesn’t need saving. But a wake-up call is long overdue, and this is it. Actually, not just a wake-up call, but a joyous reunion of rock with its oft-forgotten prodigal twin, the roll — with papa blues and mama soul along for the ride, too. All of which makes Pardon Me the perfect introduction to one of the most electrifying young bands in America — or at least the next best thing to experiencing Jonathan Tyler and the Northern Lights live. Literally.

Don’t be fooled by the good Southern manners implied by the title of Pardon Me, the major-label debut by Dallas’ Jonathan Tyler and the Northern Lights. The walloping roundhouse punch of Pardon Me’s lead-off title track and everything else packed into Tyler and Co.’s Texas-sized can of rock ’n’ roll whoopass. “Hey!” Tyler shouts after the opening salvo of guitars lands like a gauntlet slap across the face. “Can you hear me? Can you feel me, coming through your stereo?” Then comes the coup-de-grace, a shot of Hendrix-laced adrenaline plunged deep into the listener’s heart and soul by a diabolically persuasive Dr. Feelgood. “Maybe it’s been too long since rock ’n’ roll turned you on,” sneers Tyler, with equal measures of promise and threat. “So pardon me, just let it set you free.”

And that’s when things get loud.

“We recorded it live,” Tyler says of the Pardon Me sessions in Nashville with producer Jay Joyce (known for his work with Cage The Elephant, John Hiatt, Patty Griffin, Audio Adrenaline, Crowded House). “We were really critical about keeping things in the pocket and giving it a groove, but letting the songs breathe and feel alive was the main thing that was really important to us. And because we’d played those songs so much before going into the studio, for the most part it wasn’t that hard. We didn’t really pull our hair out over any of the songs.”

It’s clear from the finished results — be it storming rockers like “Young & Free” and “Gypsy Woman” or gut-wrenching, slow-burning beauties like “She Wears a Smile” and “Paint Me a Picture” — that the band expended just as much sweat and passion in the studio as they do night after night onstage. Time was when the idea of a band honing its craft and reputation one show at a time was the rule rather than the exception, but in this era of American Idol insta-stars and overnight hipster blog sensations, Tyler and the Northern Lights are a throwback in the best sense of the word. The core lineup of lead singer, guitarist Jonathan Tyler, guitarist Brandon Pinckard, drummer Jordan Cain and bassist Nick Jay may have only made its public debut at the dawn of 2007, but the ensuing three years have been a blur of full-tilt rock ’n’ roll showmanship worthy of prime James Brown and the early Rolling Stones or the E Street Band at their hungriest. The inspired addition of singer Mo Brown to the fold early on pushes the sass and swagger needle into the red, with a supporting cast of horn and organ players on deck when whim or venue calls for even more firepower. But no matter how many people are onstage, the exhilarating energy is the same. And that goes for whether the band’s playing it in front of a few dozen strangers in a bar, a few hundred diehard fans in a packed club or arena crowds in the thousands while opening for heavyweights like AC/DC, ZZ Top, Kid Rock, Lynyrd Skynyrd and Deep Purple.

The best shows, enthuses Tyler, are those where the band and audience become one. And it happens a lot more often that not, even at massive gigs like the Austin City Limits Music Festival. “To be honest, I try to make every show like that,” says the 24-year-old singer, who can play a mean lick but happily shares lead guitar duties with Pinckard — freeing him to work crowds up into a wild frenzy. “I see my role as being less of a rock star — like, ‘I’m up here, look at me!’ — and more like we’re all in the same place, hanging out together and having a party, and the band’s just driving the car. At the end of the day, you are entertaining people, but I’ve tried from the beginning to be really uninhibited and free. The idea is letting everything be exactly what it is — not trying to control the show, not trying to control yourself, but rather, letting yourself be out of control. That’s what makes it great.”

Learning to be out of control was more than just a revelation for Tyler and the rest of the band — it was their genesis. The friendships in the group actually go a lot farther back than 2007. Tyler moved to Dallas from Birmingham, Alabama when he was 16, three years after teaching himself guitar via a Slash (Guns ‘N Roses) guitar book and obsessive studying of Eric Clapton, Stevie Ray Vaughan, Jimi Hendrix, Robert Johnson and even Metallica. It was in the Big D that he met Texas native Pinckard and soon after, Oklahoma transplants Cain and Jay. Together they played the local all-ages circuit and even generated a smattering of label interest. Problem was, they were all too young and inexperienced to have much of anything to say. “We just hadn’t lived yet, you know?” Tyler says with a laugh. “It was just a bunch suburban middle-class kids trying really hard, but not having any substance because we didn’t have any problems yet. I didn’t have anything to write about.” So they pulled the plug and split up.

“We played until we were about 20, and that’s when we discovered booze and drugs, and we quit. Just basically started experimenting with everything. I’m not trying to glamorize any of it, but we went from pure as driven snow to really into some really crazy stuff. It was a real wake up call when one of my closest friends was lost to an overdose.”

Fortunately, Tyler maintained just enough control during that time to keep writing, channeling all of those eye-opening (and frequently harrowing) new life experiences into songs that he started performing solo acoustic from any stage or street corner he could find. In stark contrast to his earlier songs, these postcards from the edge had teeth and hard-earned soul to them, and it wasn’t long before he’d gained enough traction to warrant hitting the studio. With a band. So he rounded up his old friends, all of whom had lived just as hard and wild as he had over their year apart, and the slightly older but much more torn and frayed gang knocked out their independent debut, Hot Trottin’, in five days. They had no idea what they were doing, but this much was certain: The second time around, everything about the music they were playing felt real. And it only got more so once they took their new songs on the road. Crowds, critics, fellow musicians and music industry scouts all seemed to agree, too. Within a year, they were showcasing for virtually every major label in America, winning fans like Rich Robinson of the Black Crowes and racking up glowing reviews across the country.

But when they signed to Atlantic’s F-Stop Music in late 2008, Tyler wanted to do more than just bottle that thunder and lightning on disc for the band’s major-label debut. He wanted to make sure that the songs — all born on acoustic guitar — maintained that close-to-the-bone integrity that spawned the whole wild ride in the first place. The band was introduced to a half-dozen different producers before finding the perfect fit in Joyce — a name Tyler threw into the hat himself. A guitarist, songwriter and producer whose studio credits span everything from modern garage rock (Cage the Elephant) to mainstream country (Jack Ingram), Joyce was Tyler’s pick first and foremost because of his penchant for working with great songwriters, most notably John Hiatt and Patty Griffin. “There’s usually two schools of thought in the studio: there’s guys who are really good at getting sounds, and there’s guys who are really good at getting better songs,” says Tyler, “but I wanted both of those. Jay was a guy who could do all around anything, so going with him was a no-brainer for me. I really wanted to find a producer who would be like another person in the group, who would sit down with us and we’d all go, ‘OK, let’s listen to this song on acoustic guitar, and then work on making it better from there.’ Because songwriting, to me, that’s the most important part.”

After you’ve got the songwriting down, well, that’s when you just let go and let the spirit of the performance and moment take over, and follow it wherever it takes you — right up to and over the edge. The only rule — and, looking back to band members’ own pre-rock-’n’-roll-wake-up-call days, it’s one they’ve all learned from experience — is that the songs must always be 100-proof real.

“The bottom line is, we love playing music and making music, but we want to have a clear conscience about everything we’re doing,” insists Tyler. “Music can bring out a lot of your soul, it can bring out deep parts of you, but I can’t write songs or sing songs or do any of it if any part of it feels contrived. I don’t know what’s going to happen next, but we’re happy with what’s happening now, being able to live the way we are. I can only hope our music moves people as deeply as it moved us in making it.”

And so it begins. The story of Jonathan Tyler & The Northern Lights has yet to be written, but it is sure to be a page-turner and one-hell-of-a wild ride. more >>>

Event at WorkPlay Theatre on 2011-02-23 20:00:00 :

Reg’s Coffee House Presents: Grace Potter & The Nocturnals w/ Jonathan Tyler & the Northern Lights
500 23rd St S
Birmingham
United States

Reg’s Coffee House Presents: Grace Potter & The Nocturnals w/ Jonathan Tyler & the Northern Lights

bonnie raitt – bonnie raitt

Bonnie Raitt is well-known for her soul-stirring slide guitar, her commanding voice, and her famous mop of red hair. Long a critic’s darling, Bonnie Raitt earned popular success with the release of her 1989 blockbuster Nick of Time. Born to a musical family, the nine-time Grammy winner and Rock and Roll Hall of Fame Inductee is the daughter of celebrated Broadway singer John Raitt (Carousel, Oklahoma!, The Pajama Game) and accomplished pianist/singer Marge Goddard. Don’t miss this rare opportunity to see an American music icon in the intimate setting of Redding’s historic Cascade Theatre!

Event at Cascade Theatre on 2011-02-17 19:30:00 :

bonnie raitt – bonnie raitt
1721 Market Street
Redding
United States

bonnie raitt – bonnie raitt