Atlanta Salon Voted Number One for Hair Extensions Services

Atlanta Salon Voted Number One for Hair Extensions Services



Atlanta Salon Voted Number One for Hair Extensions Services

Atlanta, Georgia (PRWEB) August 3, 2007

CitySearch.com has chosen Paragon Salon as the top salon for hair extension services in the Atlanta area. After running their “Best of Citysearch” contest for Spa and Beauty, Paragon Salon ranked number one among consumers for hair extension services.

Paragon Salon offers a wide variety of 100 percent human hair extensions for practically every hair type. Each technique differs upon the wearer’s hair type and lifestyle and can be cut, curled, flat ironed and styled just like their natural hair. Clients can choose between semi-permanent extensions which last a few weeks or more permanent extensions which may last up to 6 months. Paragon Salon’s most exclusive and patent pending method is Invisilocs, a bi-locking hair augmentation system that integrates the clients’ natural hair without the use of heat, braids, glue or harsh chemicals. Invisilocs works very well on fine to medium textured hair, adding length as well as thickness. Invisilocs has proven to be one of the flattest and least damaging hair augmentation methods to date. With regular maintenance clients will experience a 3-6 month wear time.

Infusions, also known as the strand-by-strand method, are available as well. This method is recommended for clients with medium textured hair who are looking to achieve a highly natural look while wearing extensions. This technique includes a keratin protein-adhesive that provides long-lasting, micro-smooth attachments that are virtually undetectable. Clients will experience a 3-5 month wear time with this method.

A wonderful option for individuals experiencing hair loss or those who want to allow their hair to rest while protecting it from heat styling is the Sew-In method. Small cornrows are braided onto which hair wefts are sewn. The typical wear time for this method is 4-6 weeks.

The fastest and most non-commital method Paragon offers for extension clients is the Clip-In method. Clip-in pieces can be customized for clients interested in temporary length or volume for a special occasion such as a wedding, formal or graduation. This method is recommended for clients who would like instant thickness or length however, there might be limited versatility for styling. Removal is simple and can be done in a snap.

CitySearch.com, a national online search service, providing information on local businesses in the categories of dining, entertainment, retail, and travel, rated Paragon Salon as Atlanta’s #1 Hair Extension service provider for their 2007/2008 “Best Of” series.

About Paragon Salon

Paragon Salon is an intimate, relationship oriented salon with awarded professionals who give you the latest styles, while enhancing your hair’s health. Our stylists are the premier specialists in their unique fields; from Color & Cuts, to Hair Extensions and even Thermal Reconditioning. For more information, please visit http://www.paragonyoursalon.com.

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k.d. lang and The Siss Boom Bang – SOLD OUT

About This Event

Minimum Age:

21+

Doors Open:

7:00 PM

Show Time:

8:00 PM

Description:

This is a first-come, first-served partially seated event. Seating is limited and not guaranteed; please arrive early.

**Tickets go on-sale Saturday, March 5th at Noon**

Artists

k.d. lang and The Siss Boom Bang – SOLD OUT

k.d. lang is that rare performer who, over 25 years as a major-label artist, has matured before our very ears. The Western Canada native launched her career with a blend of country-rock stylings and playfully punk-like attitude, by turns whimsical and subversive; back then, she practically put the alternative in alt-country. But from the very beginning, her bravura singing belied her kitschy cowgirl outfits and spiky hair; anyone lucky enough to attend very first appearance in the United States, on a triple bill of unsigned artists at New York City’s Bottom Line, could hear that she was marked for greatness.

After independently releasing A Truly Western Experience; on a Canadian label in 1984, which generated serious major-label interest in the States, lang joined Sire/Warner Bros. at the behest of Seymour Stein for her 1987 U.S. debut, Angel With A Lariat, produced by one-time Rockpile guitarist Dave Edmunds and cut with her then-band the Reclines. 1988 follow-up Shadowland brought lang—rather daringly—right to the heart of Nashville for a countrypolitan-themed collaboration helmed by legendary producer Owen Bradley, mentor to lang’s idol, Patsy Cline, as well as to Brenda Lee. (In fact, Lee, Loretta Lynn, and Kitty Wells make a guest vocal appearance on the album’s “Honky Tonk Angels’ Medley.”) Though the Nashville establishment may have remained skeptical about lang, Shadowland reached #8 on the Billboard Country album chart.

But lang wasn’t looking to be pigeonholed. Her 1989 Grammy Award-winning Absolute Torch and Twang (Best Female Country Vocal Performance) combined her love of country with increasingly sophisticated, emotive torch singing typified by “Pullin’ Back the Reins.” With the 1992, platinum-selling Ingenue she had fashioned a sound—if not a genre—all her own: an elegant and impassioned adult contemporary approach. That yielded her biggest hit, “Constant Craving,” as well as another Grammy, this time for Best Female Pop Vocal Performance. On subsequent releases, lang continued to both fine-tune and expand the parameters of her songwriting and her repertoire. All You Can Eat (1995) was the most experimental, as challenging as it was fun; the smoking-themed Drag (1997) underscored her gifts as an interpreter, utilizing material by composers ranging from Steve Miller and Air Supply to Jane Siberry and Andre and Dory Previn. Invincible Summer (2000) was perhaps her most sultry, a collection featuring bossa nova inflections and dreamy electronics.

With Hymns of the 49th Parallel, her 2005 Nonesuch Records debut, lang presented her most compelling set of material by other songwriters—all of them, in this case, fellow Canadians—as well as a gorgeous version of her own “Simple.” lang’s interpretation of Leonard Cohen’s oft-covered “Hallelujah” is understatedly stunning; with good reason, it has become, along with her breathtaking cover of Roy Orbison’s “Crying,” an in-concert showstopper. Her most recent studio release, the beautiful and self-assured Watershed, was, as the title suggests, a pivotal moment for lang—her first effort acting as producer along with singer and songwriter. The Times of London declared: “It’s a quirk of the music industry that one of the sexiest, most sensual voices in all of pop music comes not from some raven-tressed siren in a glitter-dress but a middle-aged woman with a utility haircut and a penchant for male tailoring.” lang herself called the album “a culmination of everything I’ve done—there’s a little bit of jazz, a little country, a little of the Ingenue sound, a little Brazilian touch.” Along the way lang garnered two more Grammys, eight Juno Awards in Canada, and Canada’s highest civilian award, The Order of Canada.

lang’s work has been regularly featured in movies—the lang/Orbison duet version of “Crying” was originally recorded for a teen comedy called Hiding Out—but her most powerful work in the visual medium has been on those songs she has created especially for films. She collaborated with composer Bob Telson (Gospel At Colonus) on “Barefoot,” the haunting theme of German filmmaker Percy Adlon’s cult classic drama, Salmonberries, which also happened to star lang as a mysterious young Alaskan orphan. With Siberry, she wrote and performed the incantatory “Calling All Angels,” from the 1991 soundtrack to Wim Wenders’ Until the End of the World, a song that has had a deservedly long life on its own.

Along with Siberry, lang has collaborated, in the studio and on stage, with many other pop and country performers, including Bonnie Raitt and Elton John. But her best-known collaboration has been with veteran crooner Tony Bennett, with whom she recorded the 2002 Wonderful World duets album and continues to tour regularly, often in symphonic settings. Bennett may, in fact, be her biggest fan and he declared to the press what so many fans have come to believe over the last two and a half decades: “She’s the best singer of her generation.”

Event at (Le) Poisson Rogue on 2011-04-14 00:00:00 :

k.d. lang and The Siss Boom Bang – SOLD OUT
158 Bleecker Street
New York
United States

k.d. lang and The Siss Boom Bang – SOLD OUT